|Ethan Hawke and Sally Hawkins|
I see the name SALLY HAWKINS on the credits and expect a performance that shines, but this time she's outdone herself. This may be the best work of her career. You may have heard some Oscar buzz surrounding this gig and it is well deserved. Hawkins seems a natural to take on her role; what is particularly interesting (and highly impressive) is how Hawke manages to keep pace. In my books the guy is a little too Handsome-Hollywood-Leading-Man(ish) to have been an obvious casting choice for the role of husband Lewis - that's driven home by a brief clip at the end showing the real Maud and Everett from the CBC documentary alluded to in this movie. Nonetheless, eye-candy Ethan delivers the goods when it comes to conveying Everett's uglier internal moments. Put a star next to this performance on Hawke's curriculum vitae.
The cinematography displays several Left Coast scenery-so-crisp-and-beautiful-you-can-practically-smell-it moments (aside: Newfoundland actually stood in for Nova Scotia - follow them tax credits, ya all!). The pacing of the film is, for the most part, appropriate, although the threats of separation between the not always happy couple provides for some tedious junctures. While the storytelling is conventional in approach, director Aisling Walsh seems to sense that Sherry White's script would be well-served by hanging the narrative on the strong shoulders of the two leads and leaving it at that. Smart choice.
This film can take bows for:
- standout performances.
- beautiful cinematography.
- a moving tale told without sappiness.